I dug Vast: The Crystal Caverns back in 2016. More than that, I still dig it. Just a couple weeks back, I called it “the king of wild asymmetry that actually works.” And I stand by that. The beauty of Vast isn’t just that each of its five roles is fiercely different, it’s that they work in near-perfect harmony, breaking apart to pursue their own objectives only to come crashing back into one another’s orbit time after time.
With that in mind, does a game with five asymmetrical roles really need three more? Or worse, six more?
In the November 2016 episode of the Space-Biff! Space-Cast!, join Dan Thurot and Brock Poulsen in a discussion about asymmetry in games, fluctuating mic levels, and Vast: The Crystal Caverns with the game’s developer and producer, Patrick Leder!
As a sidenote, Vast: The Crystal Caverns is currently on Kickstarter for its second printing, and will fund until December 18th. You can find all the details over here.
The prospect of asymmetry in board games has always been a tricky one, promising great variety and depth while also threatening to overwhelm its participants with — and I believe this is the scientific term — a metric butt-ton of rules. Unlike digital games, which might handle calculations behind the scenes or offer helpful tips whenever you get stuck, in the analog world of board games every single rule must be relayed, parsed, and understood between all players at all times. Or at least most of the time.
Not only is Vast: The Crystal Caverns by Leder Games not an exception to this rule, it’s pretty much the definition. But does that do it a disservice or make it one of the richest games to appear on our table this year? Read on to find out.