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Haven Can’t Wait

Did you know that the human eye can see more shades of green in a Ryan Laukat illustration than any other color?

One of my favorite genres of cardboard is the location-grabber, wherein you and an opponent feud over a line of locations, parceling out cards and strength, engaging in some brinkmanship, and ultimately hoping to nab the best spots when the timing’s right. Picture Omen: A Reign of War, the prematurely strangled Warhammer 40,000: Conquest, the freshly minted Guardians, or granddaddy Battle Line. No, I won’t be strong-armed into naming them Schotten-Tots. I have my dignity.

Speaking of favorites, Alf Seegert has always done yeoman’s work with idiosyncratic designs, especially those that evoke strange worlds and feature smart twists on familiar mechanisms. Heir to the Pharaoh in particular was one of 2016’s most interesting games. A pity nobody’s heard of it.

Well, I’ll be damned if nobody is going to hear about Haven. Illustrated by the preposterously talented Ryan Laukat, this beauty is wickedly smart — and possibly Seegert’s best design yet.

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Fantastiqa: Pocket Dimension

Ah yes, the much-used Der Wanderer über dem Nebelmeer by Caspar David Friedrich. In most places he feels trite. Here, he fits.

There’s a certain enchanting quality to Alf Seegert’s latest, Rival Realms. Set in a sort of pocket dimension of Seegert’s wonder-realm of Fantastiqa — and literally sliding into a large pocket, how’s that for appropriate? — and expounding upon the card-laying system he first crafted in Musée, it’s an otherworldly experience, as though its players have left their concerns hanging in the wardrobe and stepped straight into Narnia.

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Be a Dog, Be a Bast

stare-off!

One of the things I most appreciate about Alf Seegert’s work — at least across the slight handful of his games I’ve played — is how he takes very relatable and approachable concepts and transforms them into something more. Take Dingo’s Dreams, for example. It’s bingo, the very same one your grandma plays for day-glo pens with puffy feathers sticking out the end, yet in Seegert’s hands it becomes one of the breeziest light titles of the year. Or Fantastiqa, a deck-building game that embraces its whimsical side with such abandon that it’s hard not to like it.

Heir to the Pharaoh is Doc Seegert’s latest game, and also his greatest by a significant margin. So let’s talk.

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