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Everything but Luxembourg

Poor Jesus.

If you want a design’s corners sanded smooth, Tom Russell isn’t your man. For a perfect example, look no further than his recent game about the Peace of Westphalia. The version you learned in high school was likely abridged: Westphalia concluded the Thirty Years’ and Eighty Years’ Wars, hammered out the first inklings of international state sovereignty, and upheld that one Latin phrase from the Peace of Augsburg that you forgot by the time the test rolled around. Three points. With an introduction and conclusion, that’s exactly enough for a standard five-paragraph essay.

But Russell isn’t writing a five-paragraph essay. His Westphalia is molded after the complicated historical version of events, the one that featured over a hundred delegations that never met at the same time, yet still wheedled over the table while stabbing each other under it. Why? Because they were terribly in debt. So it goes. This is history with its corners left unsanded. Eight million dead, years of prevarication, and all because everybody’s credit cards were maxed out.

In order to depict this dire state of affairs, Russell doesn’t divide his players into one hundred delegations. He doesn’t even require more than two hours. Instead, he presents a negotiation game that’s both spare and expansive, clunky and elegant. And it all begins with the setup.

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