Greece Fire: A Look at Omen
If you’ve been following Space-Biff! for more than a Thermopylae minute, you’ll know that I’ve mentioned Omen: A Reign of War once or twice. This is one of those rare games that opens with a bang and just keeps going, producing more kicks per minute than a two-story dojo. Now its creator, John Clowdus, has signed with Kolossal to give his small-box classic a bigger-box treatment, including a third entry in the series that steps away from the warring demigods of Greece and toward the warring demigods of Persia. So, you know, it’s super original.
Anyway, what makes Omen such a great game? Let’s take a look.
For a few years now, Omen: A Reign of War from Small Box Games has been one of my favorite card games. With all the subtlety of a Spartan dory to the gut, its primary strength rested in its outright meanness, allowing a skilled player to leverage his cards into terrifying combos that won battles and robbed an opponent of options.
Thus, the announcement of Omen: Edge of the Aegean, no mere expansion but a follow-up, a sort of parallel development of the Omen system, got me nearly as misty-eyed as Odysseus. And for anyone who doesn’t quite understand that reference, the hero of the Iliad and the Odyssey is a huge crybaby. Like, huge. The guy can’t stop himself. When he hears a bard sing a jingle about his tricksy victory over Troy, he weeps. When Calypso, hottest nymph in the isles, decides to invite him over for a feisty sex-party, it’s waterworks time.
I, on the other hand, was merely on the verge of weeping, for I am a manly man compared to whiny Odysseus.