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An Old Game About the New Thing

This image makes me hungry.

Modern Art is about so much more than just modern art. Oh, it’s about that too, and CMON’s latest edition of Reiner Knizia’s 1992 classic is lavishly produced with work by genuine artists, each with their own distinctive style that makes the identifying colors on each piece’s header almost unnecessary. Does it matter that Rafael Silveira is the orange artist when his portraiture is so unsettling? Or that Ramon Martins is designated by green when he has such a slick take on Asian traditionalism?

Maybe. Especially when Martins defies his oeuvre with something from left field. That’s the thing about Modern Art. It’s a game about maybes and could-have-beens and taste-making and guessing the value of a thing before it’s a Thing.

It also happens to be a sublime merger of play and theme.

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Ethnos-centrism

Oh dear. Looks violent. Not for me, then!

Paolo Mori has put together some wonderful stuff, ranging from the shipshape Libertalia to the behatted Dogs of War. Both were exceptionally muscular for their size, flexing their wiry ruleset so that even reluctant friends could join in and still feel brilliant after a couple rounds. What’s the one thing better than staffing a snarling pirate den? Fighting on both sides of a mercenary battle, that’s what.

Ethnos joins that brawny pair as possibly Mori’s most sinewy game yet, and not just because it features trolls beating up orcs. Come take a look.

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