Category Archives: Board Game
Faffing About the World
I’m going to detail Trekking the World, the sequel to Trekking the National Parks that’s apparently selling like gangbusters, and I want to buffer your expectations by pointing out that I mean these things descriptively rather than pejoratively. Moreover, I think it’s fantastic when a game exceeds expectations and attracts a raft of enthusiastic fans. And really, the hobby is about enjoying these things in company, as friends and family, and nothing can take away the precious memories we make when we share quality time.
Whew. Okay. Here goes: Trekking the World is utterly and defiantly mainstream. It’s as smooth as a white granite countertop and about as interesting. It has been engineered for appeal, relies on familiarity to draw attention to itself, and says nothing of note. I do not like it. I expect it does not care. Which makes it all the more puzzling that it appeared on my doorstep without warning, like a baby in a bassinet, except the baby turned out to be a very dull child who grew up to become an actuary.
Fine, Have Your Dang Scores
Every time. Every dang time.
Whenever I write about a board game, a certain sort clamors to my inbox like ants chasing a line of sugar cubes. “Yeah yeah, but what’s its score? Would you say it’s a 7.18 or a 7.19 out of 10?”
Know what? I surrender. As of today, Space-Biff! will be assigning a score to every game we review. But seeing as how you’ll be skipping past every word I write from now on, you can bet your butt you’re going to have to wade through seven hundred words to understand the scoring criteria.
The Mere Anarchy of John Company
It’s easy to imagine the East India Company as a cabal: an instrument of villains, territory marked by the plunging of daggers into nautical maps, shareholder meetings held by candlelight, masks mandatory. How else to explain the company that became leviathan — that touched half the world’s trade, employed twice the fighting men fielded by the British army, and ruled India for a century? Surely it was sinister. Perhaps even occult.
Except that’s far too tidy. As is always the case with sweeping evils, it’s easier to tuck a mastermind behind the curtain than to acknowledge that reality is so much more banal. That the Company’s ascent was the work of clerks and captains, common soldiers and administrative functionaries, merchants selling on commission and thousands struggling to earn their daily bread. Absent a villain, there’s more blame to go around. An uncomfortable degree of blame. Maybe even the sort of blame that might implicate us.
More than any game I’ve played, John Company is about culpability. And Cole Wehrle’s second edition accomplishes the improbable by making that message more articulate and more playable at the same time.
Faiyummy
Faiyum reminds me of Tigris & Euphrates. Not mechanically, or not entirely. Rather, in the way it captures a span of history almost entirely through systems. It’s the sort of game that seems entirely about the placement of pieces and the manipulation of cards. Yet it’s also a game about ancient progress, about struggling against the land to fashion something livable.
And it’s very nearly perfect.
Talking About Games: The Price Is Wrong
Is a game worth its asking price? The question comes up so often that I’d be surprised to hear that this isn’t also true for other reviewers and critics. Most recently, two reviews in particular drew a lot of attention: Radlands from Roxley Games and The Shores of Tripoli from Fort Circle Games. Both are beautiful titles with noteworthy production values. Both are also shorter games, which understandably raises questions about their longevity. And of course, both are priced toward the high end. Hence the questions.
I get it. When I’m curious about a new game, what do I do? I check to see if anybody’s reviewed it. That’s why I spent years happily fielding these types of questions. Isn’t that what a review is for?
More recently, my policy has shifted. Now I refuse to answer questions about price. For today’s Talking About Games, I want to discuss why that is — and why other reviewers and critics might consider the same.
O Holi Night
The Hindu festival of Holi isn’t something I know much about. The largest celebration in the United States takes place only fifty miles from where I live, although its proximity to both BYU and UVU fill it with so many Mormon revelers that it was years before I realized it wasn’t a local custom. Having handfuls of color flung at my person was never in my wheelhouse anyhow.
But don’t go into Julio Nazario’s Holi: Festival of Colors looking for background. “Throwing color” and “collecting candy” are pretty much the extent of its interest in Holi. At least we’re on even footing.
Burgle’s Four
I had a love/hate thing with Burgle Bros. It was so frustrating that I eventually gave it to my pal Brock. Later, I missed it enough to ask if he was done with it, whereupon “Brock brought back Burgle Bros” became our game night tongue-twister of choice. Naturally, I never played it again.
So it’s a thrill that Burgle Bros 2: The Casino Capers is more than a sequel. It’s everything the original game wasn’t.
Stop the Stop the Train!
Everything about Stop the Train! screams “velocity.” The speed of the train, of course. But other details also pitch in: the countdown to the train’s arrival in Paris, the bomb that will go off if it doesn’t halt before reaching its destination, the rapid turnover between turns. It helps that trains are the perfect setting for mystery stories. By extension, a train should be the perfect setting for a social deduction game.
So why does this particular engine trundle along at the pace of a kiddie trolley? Let’s break it down.
Looney Pyramids, Part Three: Martian Chess
The score isn’t looking so good for Andrew Looney’s Pyramids System. Nomids barely rated. Only half of Ice Duo met the mark. We’re already on the third of four boxes, and I’ve yet to see what the fuss is all about.
Until Martian Chess. This one still doesn’t bother to use the pyramids as more than pretty counters. But the game itself — wow.
Rhüt: The Marauder Expansion
I get nervous every time Root gets bigger. It’s the knock-on effect of so many boxes, so many factions, so many little details to keep straight. In contrast with some folks, my experiences with Root have grown more interesting as everybody at the table masters the intricacies of its many sides. Every addition jeopardizes that smoothness. Even if the effect is only temporary, that’s one more chance that I’ll step away and never muster the will to return.
So it’s good news that the Marauder Expansion is less about expansion than about streamlining.
SPACE-BIFF! 