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Zed’s Dead — All Over Again

cue the axe gang dance from Kung Fu Hustle

There was a run there, between the aughts and the teens of the current century, when Victory Point Games published multiple of the best solitaire board games ever. Banger after banger. Then it was sold and chopped up for parts.

Perhaps the best title to emerge from that golden age was Hermann Luttmann’s Dawn of the Zeds. This baby merged the strategic considerations of the States of Siege line with some cinematic flair. So much cinematic flair that its overstuffed third edition aped not only the dramatic beats of cinema but also the notion that it was a movie being directed by the player. A tonal mismatch if ever there was one.

Here’s the good news: Hermann Luttmann is back with a new version of Dawn of the Zeds. Dubbed the Designer Edition, and divorced from the vultures who gobbled up Victory Point, it’s a revamp of the system from top to bottom. It isn’t as good as I remember. It’s better.

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States of Ziege

The third edition's aesthetic wrapper — which is that cards are scenes in a movie — is frankly irritating, but it's easy to ignore.

For a while there, Darin Leviloff’s States of Siege system was a big deal for solitaire gaming. The concept was brilliantly simple: what if, rather than sprawling hex maps and proviso-laden movement priorities, conflicts were portrayed as tug-of-wars along lanes? The inaugural title in the series, Israeli Independence, was more a proof of concept than a full-fledged game, but it quickly drew imitators and iterators. Before long, the series stepped into many of history’s overlooked corners. Zulus on the Ramparts. Ottoman Sunset. Hapsburg Eclipse. Mound Builders.

The best entry in the series, however, gamified the under-publicized zombie invasion of Farmingdale. I’m speaking, of course, about Hermann Luttmann’s Dawn of the Zeds.

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