Blog Archives

It Means “Not for Dummies” in Czech

Place your bets! Horse-thing with spear, or giant crushing rock golem?

Not that I’m speaking from personal experience or anything, but I’m convinced abstract games are among the toughest to design. Your mechanics and rules have to be razor sharp, you’ll imbue it with whatever scrap of theme you can manage, wrap it up to look pretty even though some will complain about how it’s “just a board and some pieces,” and then sit back to endure the inevitable goofballs wailing about how they don’t get it.

Now and then though, you’ll get something amazing. In this case, that something is Tash-Kalar: Arena of Legends, the latest from famed designer Vlaada Chvátil, and it’s a monumental achievement of abstract gaming.

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There’s No Escaping This Machine

Phoned in? Yeah. This game has no good header images.

What would you do differently if you knew “Swedish Furniture” would be the cause of your death? How would your life change? I don’t know about you, but I’d probably never go near an IKEA again — and that would really suck, because that’s where I spend my lunch hours.

Okay, that was an easy one. How about “Snowed In”? Or “Bad Blood”? Ooh, or what about “Goat Thong”? How in the hell are you going to avoid that?

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A Study in Hodgepodge

At least this one isn't about how much Sir Arthur Conan Doyle dislikes Mormons.

By the year 1882, the Old Ones have already ruled the planet for seven hundred years. They sit upon the thrones that may have otherwise held human occupants, and their whims and appetites are law. All of humanity is a plaything, a subject, the victim of powers beyond their comprehension. For the foreseeable future, as with the known past, there is no hope that mankind might cast off the shackles of eldritch oppression, might seize what is theirs and awaken to a new dawn.

That is, until the invention of dynamite.

This is the bleak world of A Study in Emerald by Martin Wallace, an inverted — or rather, a perverted — take on the era of Sherlock Holmes, full of all the real-world romance of anarchism, but without all the unnecessary guilt over exploding royalty. Since they’re, y’know, aliens.

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Oddball Anywhere

I stole this from their Facebook, and I hope they don't sue or tell the NSA.

If you follow Space-Biff! with any degree of closeness, first of all, thank you. One day when I am Emperor, I will remember your loyalty. On an unrelated note, regular readers probably will have also noted my love of portable games, the kind that can be taken on road trips, camping, or long flights, or played in hotel rooms and restaurant booths with equal ease, all without resorting to that infernal Uno.

Uno — *Shudder*

Well, step aside pretty much everything else, because I was recently sent a copy of one of the most transportable games I’ve ever played — so portable, in fact, it doesn’t even need a playing surface. Yes, you read that right: no need for sticky airplane tray tables, awkwardly-held spiral-bound notebooks, or laps. Meet oddball Aeronauts (yes, “oddball” is lower case for some unfathomable reason) from Maverick Muse (which, like everything else on their site, I have no idea how to capitalize or punctuate). It’s pretty cool. oddball Aeronauts, I mean, not the punctuation thing.

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Berserk Drives Me Berserk

RAWR vs STOIC. If you want to make your fantasy universe edgy, in place of confiscating all the ladies' shirts, maybe invert this stereotype? I literally weep at the injustices the elves deal out every day.

You might recognize Berserk: War of the Realms as the Russian card game that was on Kickstarter a while back, the one that generated some controversy over its inclusion of scantily-clad (or not-at-all-clad) mythological ladies. You know, the project that eventually included both the original non-clothed and new tiny-bra-wearing art in order to appease both the Artistic Integrity and Nudity Is Wrong crowds.

Or maybe you don’t recognize that at all, because board game controversies are almost always silly like that. It’s one of the things I love about the hobby.

Anyway, Berserk has been out for a little while now, and I’ve been playing it ever since its first release. And while there are still quite a few things I have to explore… hm, that sounds wrong. I’ve been playing with the non-nude cards, in case you were wondering.

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C3K is K4Me

Chocolate, meet Peanut Butter.

I don’t believe there’s anyone alive in the world of board games who’s managed to corner the Awesome Light Wargame With Badass Mythological Miniatures niche so well as Matagot, as evidenced by Cyclades being one of the best games of 2009 and Kemet knocking everyone’s socks off in 2013. Proof, and more proof (at least for the Kemet half of that claim).

Now Matagot has put out an expansion aimed at anyone who owns both of those masterpieces. It’s C3K, or the Creatures Crossover Cyclades/Kemet expansion, and it’s… well, let’s take a look.

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Cave Eeeevil

What better way to celebrate the birth of my daughter than by writing about all-hungering evils that inevitably awaken from deep dreamless slumber to ruin everything in sight with their ear-rending wails and soggy maws? I think, for the first time in my life, I'm an expert on the topic.

How best to describe Cave Evil? Picture me, if you will, seated in front of you; probably on a futon, and likely with my feet comfortably seated atop a gliding ottoman, though the ottoman isn’t strictly necessary. I have both hands raised, about three feet apart: “On my right,” I say, motioning with the appropriate hand, “is the most eurogamey Eurogame possible. Unthematic, spit-polished mechanics, usually about appeasing some local medieval lord. Or often trains.”  Now I gesture with the other hand, just to help you keep up. “On the left we have the most trashy Ameritrash game of all time. Theme so thick you can’t breathe without getting a cough. Lots of rules that don’t necessarily mesh into a coherent whole, but instead excel at telling a memorable story.”

Can you guess where Cave Evil falls on my unusually elegant and accurate scale?

If you guessed on the right, with the Eurogames, you’re so wrong you just might be in the wrong place. Are you sure you’re interested in board games? Though to be fair, if you guessed the left hand, you’re also wrong. See, Cave Evil is actually about half a mile down the block on my left, at the grocer I never go to because it doesn’t stock good yogurt.

What I’m saying is, Cave Evil is the most unrepentantly, true-blue, defiantly Ameritrash game I’ve ever played.

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Rampage! RAMPAGE! RAMPAUGDGH!

What's with the lens-flare off the title?

That Pacific Rim was pretty much my favorite movie of 2013 says more (I hope) about the slowness of that cinema year than about my taste in film. On the other hand, it also predisposes me to love Rampage, a dexterity game that puts you in the shoes of a five-story kaiju bent on knocking the stuffing out of a pristine ocean-view city for no other reason than because ocean-view cities are always so dang smug about their ocean views.

Oh, and it’s one of the best dexterity games I’ve ever played.

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Theseus: Space Mancala

Apparently Sgt. Rickland has slain three gummy bears.

Sometimes life decides to deal me a harsh lesson in expectations versus reality. Like when I remembered how the space marines vs. aliens vs. greys vs. scientist survivors vs. parasites theme of Theseus: The Dark Orbit isn’t reality. Or when I discovered that the same game doesn’t even occupy the genre I was hoping. Yeah, life’s tough like that.

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Alone Time: Beyond Arkham

I have such doubts about the worth of my abilities, much like the mi-go that fly over the pyramids by moonlight.

It’s incredible to me how often board games imitate life. And I’m not just talking about how they have rules, smell best when they’re new, work fine whether played solo or as a team, and tend to be about trains a lot more often than we’d like. Sure, all of those things are pearly nuggets of truth, nested into board games to remind us of our mortality, but I’m not talking about those. Oh no, not at all.

Rather, I’m talking about how board games warn us about the return of the old things. Because not letting our planet get transformed into a chew-toy is pretty dang important, don’t you think? Anyway, what follows is a series of letters from one of my ancestors, one Leo Anderson, which happen to correspond exactly with some of the things that can happen in Eldritch Horror. Chills. Up my spine. Brrr.

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