Blog Archives
How Was the Gameplay, Mrs. Lincoln?
I know it’s far removed from today, but the assassination of Abraham Lincoln makes me sad in a way that most historical events do not. Thanks to my father’s interest in the topic, the Civil War was my first real foray into both history and wargames, and the Gettysburg Address was the first speech I ever memorized. Not original for an American schoolkid, I know, but still.
There is some small upside: playing Wes Crawford and Ryan Heilman’s The Pursuit of John Wilkes Booth, I had that extra motivation to nail the bastard. Some part of me approaches the subject reluctantly. It’s a game about the early history of American policing more than anything, staffed with military detectives and Pinkerton agents and Secretary of War Edwin Stanton pulling strings to put more federal cavalry under my command. Like the Civil War that had ended only five days before the traitor’s bullet found its mark, this is America’s Old Testament period, its belly fired with vengeance and fury. I know the problems. I have my hangups. And yet there is nothing I want more than to catch the assassin before he crosses some remote frontier.
Violent Zornography
Talk about pedigree. The Struggle for Zorn: The Red Blight is a mouthful in more ways than one. Take its trio of designers: Hermann Luttmann, the creator behind Dawn of the Zeds and The Plum Island Horror, Fred Manzo of Escape from Hades, and Ryan Heilman, whose Brave Little Belgium took a big risk by centering wartime atrocities. Zorn is a three-way baby that bears strands of DNA from each of them. It’s big, long, messy, overcomplicated, and enthralling.
Space-Cast! #28. Land and Conversation
The politics of the Spanish Civil War are complicated — which only makes it all the more impressive that Alex Knight’s Land and Freedom distills them so elegantly into a three-player scrum for control of the Second Republic. Today, Alex joins us to discuss the genesis of his game, including how he solved the semi-cooperative problem with a silk bag, evolving the card-driven formula so popular in wargames, and the factional politics behind the gameplay.
Listen here or download here. Timestamps can be found after the jump.
Non Plus Ultra
As fascist forces encircled Madrid in 1936, Dolores Ibárruri delivered a string of speeches meant to rally those loyal to the Second Republic to its defense. Nicknamed la Pasionaria, the “passion flower,” Ibárruri had only been elected earlier that year as a deputy in the Cortes Generales for the Popular Front, a coalition of leftists, communists, socialists, anarchists, and regional nationalists. Her first act had been to empty the local prison of its political detainees, throwing open the cells with her own hands before the Cortes could waffle over drafting the order. Now, with a military coup threatening to seize the country by force, one of her broadcasts inflamed the city’s defenders. “¡No pasarán!” she declared. The fascists shall not pass.
But they did pass. After a siege of two and a half years, General Francisco Franco entered Madrid. “Hemos pasado,” he is reported to have said. We have passed.



