Blog Archives
Talking About Games: Against Repeatability
There’s a recurring series I write on Space-Biff! called New Year, Old Year, which looks back on the games highlighted in Best Weeks past and evaluates them from a more updated vantage. When I began writing it back in 2017, there were two purposes behind the series. The immediate function was prophylactic. I’m often asked whether this or that game has held up since its release. New Year, Old Year could function as a repository for keeping my readers updated. Also, sure, so I had something to link to instead of answering those questions over and over again.
On a more personal level, New Year, Old Year also functioned as a form of accountability. A gut-check on my own tastes and attitudes. It was valuable to look back on the lists I’d written years before. With the benefit of hindsight, it was easier to see where I’d steered wrong, the gaps in my recommendations, or where my initial enthusiasm had been misplaced. The series was a corrective. It helped me not only reevaluate previous titles, but approach the games I was playing and reviewing right now with some additional perspective.
But something happened last year. When the appointed time came around to write about Best Week 2021, I couldn’t bring myself to do it. Something I’d left sitting on the windowsill for far too long had finally curdled.
The Goose Will Have Blood
I can’t speak to whether The Gods Will Have Blood, the latest game by Dan Bullock, is a faithful adaptation of Anatole France’s Les Dieux ont soif, but it evokes sensations that only rarely creep into our hobby from literature. Perhaps it would be better to call it an abridgement. At only twenty minutes in length (if that), it packs terrible questions into a pressure cooker that threatens to pop with every flipped card and drawn cube.
SPACE-BIFF! 